ENGINEERS
& INVENTORS
TO HARNESS THE FORCES OF NATURE
TO THE SERVICE OF MANKIND
"Electrical science has disclosed to us the more intimate relation existing between widely different forces and phenomena and has thus led us to a more complete comprehension of Nature and its many manifestations to our senses."
NIKOLA TESLA
- Engineers and inventors are seen as practical agents of the Seventh Ray, bringing spiritual ideas into concrete form.
- They work with matter, form, and energy, learning how to harness natural forces for human progress.
- Their work is often described as “white magic in action” when aligned with the divine Plan.
- Inventors are said to be inspired by higher mental impressions, even if unconsciously, receiving ideas from the abstract mind or soul.
- Engineers are linked to the building aspect of divinity, paralleling the role of the Masons and builders of sacred geometry.
- Many modern inventions (electricity, radio, aviation in her time) are explained as outer reflections of inner discoveries of spiritual laws.
- Both groups are urged to shift from selfish exploitation to service, ensuring that discoveries aid human unity and upliftment.
- Bailey emphasizes that the new age will require spiritually-minded engineers and inventors to build the coming civilization.
- They are part of the “intelligentsia” within the New Group of World Servers, acting as bridges between abstract ideas and physical manifestation.
- Ultimately, engineers and inventors are destined to play a role in creating the “externalisation of the Hierarchy”, preparing structures, technologies, and systems for the outer expression of the spiritual Plan on Earth.
ENGINEERS
& INVENTORS
PERIODIC TABLE
ENGINEERS
POINTS IN EVOLUTION & RAY-STRUCTURES
3.0
RAPHAEL
2
–
7
–
1
4
–
–
3
7
4
2
7
–
–
–
3.46
BENJAMIN CREME
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.6
ALBRECHT DÜRER
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
REMBRANDT VAN RIJN
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.4
GIOTTO
6
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.3
MICHELANGELO
1
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
PETER PAUL RUBENS
4
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.4
PABLO PICASSO
7
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
PAOLO VERONESE
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.4
BENJAMIN CREME
6
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
GIOVANNI BELLINI
7
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
1.9
VINCENT VAN GOGH
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
RAPHAEL
2
–
7
–
1
4
–
–
3
7
4
2
7
–
–
–
3.46
BENJAMIN CREME
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.6
ALBRECHT DÜRER
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
REMBRANDT VAN RIJN
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.4
GIOTTO
6
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.3
MICHELANGELO
1
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
PETER PAUL RUBENS
4
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.4
PABLO PICASSO
