SCULPTURE
THE ART OF CARVING AND
SHAPING INTO FORM
"I saw the angel in the marble and
carved until I set him free."
MICHELANGELO BUONAROTTI
SCULPTURES
POINTS IN EVOLUTION & RAY-STRUCTURES
3.0
RAPHAEL
2
–
7
–
1
4
–
–
3
7
4
2
7
–
–
–
3.46
BENJAMIN CREME
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.6
ALBRECHT DÜRER
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
REMBRANDT VAN RIJN
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.4
GIOTTO
6
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.3
MICHELANGELO
1
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
PETER PAUL RUBENS
4
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.4
PABLO PICASSO
7
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
PAOLO VERONESE
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.4
GIOTTO
6
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
GIOVANNI BELLINI
7
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
1.9
VINCENT VAN GOGH
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
RAPHAEL
2
–
7
–
1
4
–
–
3
7
4
2
7
–
–
–
3.46
BENJAMIN CREME
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.6
ALBRECHT DÜRER
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
REMBRANDT VAN RIJN
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.4
GIOTTO
6
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.3
MICHELANGELO
1
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
PETER PAUL RUBENS
4
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.4
PABLO PICASSO
