THEATRE
THE ART OF PRODUCING
AND PERFORMING PLAYS
"To be or not to be, that is the question."
WILLIAM SHAKESPEARE
THEARTRE
POINTS IN EVOLUTION & RAY-STRUCTURES
3.0
RAPHAEL
2
–
7
–
1
4
–
–
3
7
4
2
7
–
–
–
3.46
BENJAMIN CREME
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.6
ALBRECHT DÜRER
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
REMBRANDT VAN RIJN
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.4
GIOTTO
6
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.3
MICHELANGELO
1
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
PETER PAUL RUBENS
4
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.4
PABLO PICASSO
7
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
PAOLO VERONESE
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.4
GIOTTO
6
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
GIOVANNI BELLINI
7
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
1.9
VINCENT VAN GOGH
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
RAPHAEL
2
–
7
–
1
4
–
–
3
7
4
2
7
–
–
–
3.46
BENJAMIN CREME
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.6
ALBRECHT DÜRER
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
REMBRANDT VAN RIJN
2
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.4
GIOTTO
6
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.3
MICHELANGELO
1
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
3.0
PETER PAUL RUBENS
4
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
2.4
PABLO PICASSO
7
–
4
–
1
4
–
–
3
7
4
2
7
–
–
–
ART
SCIENCE
RELIGION
EDUCATION
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